Smut & Activism, Smut Reporting

Twitter Algorithms and Sensitive Content

I was recently scrolling through our Twitter page (I was not logged in, but rather was checking on something on our feed) and noticed that the link to one of our reviews was blocked because it contained “potentially sensitive” content. 

You can, perhaps, imagine my surprise. While we are unabashed smut peddlers here at TSR, none of our content contains nudity, sex, or violence. We don’t even swear that much (only when it’s warranted). According to the Twitter help center, content may be flagged because I mark as that way, because someone else reported it as sensitive, or because of an automated in-house “technique” (that’s Twitter’s word, which I assume means “algorithm”). All I know is: it definitely wasn’t me.

The “potentially sensitive content” in question was a link to my review of the book Something Spectacular by Alexis Hall and included an image of the book cover. 

If I’m feeling generous, I might assume that my book review is potentially sensitive because I use the word “orgy.” People might find the idea of orgies upsetting, I don’t know! (Erin’s review of Dino Stud by Lola Faust was also flagged as “potentially sensitive content,” and that review is downright tame, but does include the word “dinorotica.”)

Sidenote: When I was in 8th grade, my class went on a multi-day overnight trip. When I returned home, I told my parents about the 8th-grade shenanigans that happened, most of which involved a large group of boys and girls sitting in a circle on some beds. We might have read some sexy bits out of a book that someone had and all been very flustered and embarrassed. My mom responded, “Oh Holly, your first orgy!” My dad was like, “Why would you say that to her?!?!” At the time, I did not understand what she meant. 

But enough about orgies.

Because I have a sneaking suspicion that it wasn’t the word “orgy” that resulted in this book review being flagged. Something Spectacular is a queer historical romance about nonbinary characters, and my review is all about how joyfully queer this book—and these characters—are. The Twitter help center also consistently refers to the “potentially sensitive content” as “images,” and while that book cover is very very demure (not a man-nip in sight!), if you look closely, you can tell that both characters have ambiguous gender presentation.

My main takeaway from the current trans panic is that being joyfully queer is not ok. The logic seems to go: if you must be trans, please have the decency to suffer, silently, in the closet, so that no one has to see you or think about you or have their worldview about what a good life can look like questioned. Drag queens are a problem not because they are sexy or sexualized, but because they are joyful in embracing their difference. And books like Something Spectacular, in which nonbinary characters can live full, beautiful, open, spectacular, joyful lives (complete with marriage and babies!)—well, we can’t have that, can we? 

I wonder if Twitter will flag this blog post as containing “potentially sensitive content.”

Smut & Activism, Smut Reporting

Reading Smut in High School

It has come to our attention that last week, a county in Florida removed books by Nora Roberts from school library shelves. 

We know we’re late to the book ban party, as this nonsense has been going on for a while now. We’re not here to tell you what’s going on with book bans, and how terrible they are, and that we are adamantly opposed to the way certain white suburban moms (who, we must admit, probably look like us) have weaponized “care for children” to push a radical agenda to remove content about sex, race, and queer identity from school libraries. 

(If you want a deep dive into everything that’s going on in the world of book censorship, BookRiot has regularly updated, very detailed coverage. Jen and Sarah at the Fated Mates podcast also did a great episode on the topic last year; their show notes include tons of additional resources and a full transcript.)

Rather, we’re here to talk about high schoolers reading romance. We fully support them doing so.

“WHAT?!?!” you might say. “High schoolers shouldn’t be reading romance novels. They are pure,  innocent beings of light who we must protect from THE SMUT.” 

To which we respond: “You know that they have access to the internet right? Have you seen what’s on there?”

 A gentle reminder from the puppets of Avenue Q

All of us were avidly reading romance as high school students. (As is evidenced by our My First Smut stories: here’s Holly’s, Erin’s, and Ingrid’s.) None of us has any memory of ever checking out any book from the library at our high school, like, ever, but the local public library was a huge source for romance. 

(Please remember that we are Olds and that when we were teenagers YA fiction as a marketing category did not really exist. Once you finished The Babysitters’ Club, you might find a stash of Sunfires, but probably it was time to move from the kids’ section to the adult books.) (But also, let’s be honest, adults are overwhelmingly the main readers of YA books.)

What did we learn from reading all this smut at an impressionable age? To value ourselves as unique individuals. To look for love. To be optimistic about the world. To develop impressive vocabularies. To value sexual intimacy as a possible source of connection between people. To share books with friends and family. To read for fun. (Ok, we already knew about reading for fun—but we learned that reading could be really, really fun.)

Furthermore, we support school libraries stocking romance books.

School libraries are not thrown together randomly. Collections are curated. Books are selected based on the knowledge of the librarians, and information from other libraries, and requests from people who want to use the library. Books are in libraries because people want to read them—or because the people developing the collection believe that readers who stumble across these books might enjoy them.

If nothing else, a romance novel in a school, though it may contain sex, is likely chosen because it speaks to a teen audience. Once, when Erin was discussing sex in YA books with a friend studying for a Master’s of Library Science, her friend offered up a textbook excerpt discussing “appropriateness” as a benchmark for developing collections, noting that “appropriateness” stems more from what adults are trying to control than what teens might actually need or want to read based on what they might be navigating in their own lives. In other words “appropriateness” is more about adults than teens and doesn’t actually serve the individuals the collection is designed for. 

While we might like to live in a headspace in which teenagers would never engage in risky behaviors without a thorough and logical risk analysis, even the most responsible teenager still has a teenager’s brain, and they deserve to be met where they actually are, not where adults are trying to force them to be. Sometimes that means reading something fictional that navigates risky situations might be better than sticking our heads in the sand and pretending everything will be fine.

Or, as Nora Roberts told the Washington Post: “I’m surprised that they wouldn’t want teenagers to read about healthy relationships that are monogamous, consensual, healthy and end up in marriage.”

As a final note: if we’re getting big mad about sexy books…Nora Roberts’ books are not what we’d call “spicy.” Just sayin’.

Hot Takes by Holly

Everybody Doesn’t Use a Protestant Cross!

This might seem like a weird hill to die on, but I honestly cannot with the little, gold, Protestant crosses in all the fan art of Ilya Rozanov of Heated Rivalry fame. 

ILYA IS RUSSIAN! HE WEARS A RUSSIAN CRUCIFIX!

Okay, Reid doesn’t specifically describe the appearance of the cross, but we’ve got some pretty clear indicators of what we’re dealing with here. In the first place, Reid specifically calls the item that Ilya wears a crucifix. 

A gold chain hung crookedly around Rozanov’s neck, the shiny crucifix resting on his left clavicle just above the famous (ridiculous) tattoo of a snarling grizzly bear (“For Russia! I had it before playing for Bears!”) on his chest. (P. 8)

I could add more citations, because “crucifix” is used a lot, but the first instance (within the first ten pages) is probably sufficient. 

By definition, a crucifix is “a representation of Christ on the cross” (thanks Merriam-Webster), so the plain Protestant cross is not it. 

A plain, Protestant cross. This is not a crucifix.

If you grew up in the West, you are probably familiar with the Catholic crucifix, which is typically not plain and simple. 

Catholic crucifix

Bare minimum, that’s what I would expect to see for Ilya. But no. Plain gold crosses all over the place.

If we’re really going to do our homework, though, we need to acknowledge that the Great Schism (a.k.a. The East-West Schism) occurred in 1054, less than two hundred years after the Christianization of Russia began, and only about a hundred years after the first ruler converted to Christianity. Russia was Christianized by eastern Christians, so Russian churches became Eastern Orthodox, not Roman Catholic. If you go to Russia in January, you will see Christmas trees because Christmas is celebrated on January 7, and the new year is celebrated the week after that. 

The present-day composition of Russian religion according to a relatively recent poll cited by the U.S. State Department indicates 63% of the population identifies as Orthodox Christian, 7% as Muslim, and 26% as unaffiliated (which the CIA factbook notes is a legacy of decades of Soviet promotion of atheism). The Russian government recognizes Orthodox Christianity, Islam, Judaism, and Buddhism as traditional religions. Ilya’s dad worked for the Minister of Internal Affairs, and knows the minister personally. He’s not some nobody, and the Russian government is still influenced by the Soviet government, in which success relied a lot on who you knew and how good a citizen you were. The probability of Mr. Rozanov marrying a woman who wasn’t a good Russian Orthodox woman is not high, both socially and just as a matter of basic statistical reasoning.

Ergo, Ilya wears a Russian crucifix.

The most noticeable elements of an Orthodox cross are the extra beams, one above the main crossbar and one nearer the base of the cross. So Ilya’s necklace should really look something like this:

Russian Orthodox crucifix

But if drawing a full-on crucified Jesus in the fan art is too much (which…okay), then can we at least get the more basic version right?

Orthodox cross

This hot take brought to you by Instagram.

Hot Takes by Holly

That Terrible Green-Eyed Monster

I’m going to slide on into Holly’s Hot Takes for a moment to be yelly about jealousy in romance. That is to say, I’m going to be yelly about jealousy being a dealbreaker in romance.

Here’s why: jealousy is a human emotion. 

Refusing to allow characters this emotion is taking an entire work truck out of the romance garage. It is so useful for communicating by showing rather than telling, and it’s also useful for forcing protagonists to grapple with their feelings. 

Please consider: how do we understand that jealousy is happening? What POV are we in? 

If we’re in the head of the jealous character, how are they processing the emotion? How does it change their perception of the situation they find themself in? Is this character finally realizing that there are feelings or insecurities they were not previously aware of? 

If the POV is of the character subject to the jealousy, the question is not only how does that character experience and react to their love interest’s jealousy, but also: what is being communicated to the reader, and does the character understand the same thing as the reader or not? (This is especially helpful in single POV stories.)

Lick, which we just read and discussed on our podcast, is a single POV story. We have no idea what is happening in David’s head without reading what he’s saying and doing, and it’s all expressed through the lens of the narrator, Evie. Therefore, we have no way of understanding that he’s grappling with any emotions at all without him expressing those emotions. He’s jealous. Why is he jealous? Does he know why he’s jealous? Is he being honest with himself or anyone else? What needs to happen in order for him to overcome this jealousy and move forward?

When he’s mad at Evie for not remembering Las Vegas and wants a divorce, David still reacts jealously to his brother flirting with Evie, so we know that there’s something going on with him. Evie knows this and decides not to take it on since she’ll soon be divorced from him. But also we the reader get an inkling that David has his own insecurities and problems to overcome, we just don’t know what they are yet; it’s a hook. As the story continues, even though he’s promised to give Evie the benefit of the doubt, we see further instances when David is just not able to handle himself. It’s not until relatively late in the story that we finally get to learn some past history that adds context to his behavior…and that also reveals the internal problem that David needs to overcome in order to have his HEA. Is he on his best behavior? NO! But he’s having a growth arc just like Evie, even though Evie is the narrator. It’s a hallmark of romance!

I’m sure we can all agree that unchecked jealousy that is angry and controlling is not good. It’s red flag central when someone tries to isolate their partner because of feelings of mistrust and ownership. But we seem to have overcorrected from “actually, that jealous, dark romance hero behavior is NOT sexy” to “any kind of jealousy is a red flag so this is a bad hero,” and I’m not convinced that’s a better approach.

This hot take brought to you by other people’s reviews of Lick by Kylie Scott.