Recommended Read, ReviewReview: The Last Mermaid by Shana Abé (2008) February 25, 2022 Ingrid Heat Factor: It’s pretty fraught and steamy Character Chemistry: There are four pairs in this generational story, and all of them have this desperate, meant-to-be energy Plot: This is a romance that spans centuries and revolves around the sirens of the Island of Kell. It’s very gothic and desperate and sexy. Overall: It was a tad slow for me in the beginning but then I got really into it and ended up loving it. Continue reading “Review: The Last Mermaid by Shana Abé (2008)” →
Recommended Read, ReviewReview: The Brightest Star in Paris by Diana Biller (2021) October 12, 2021October 11, 2021 Holly Sequel to The Widow of Rose House Heat Factor: There’s a flame, but it’s more docile wood stove than raging inferno. Character Chemistry: They really like each other, but are holding back. Plot: Amelie has made a safe life for herself and her younger sister—and then Benedict comes back to Paris after twelve years away. Overall: I really liked this book. A lot. Continue reading “Review: The Brightest Star in Paris by Diana Biller (2021)” →
Recommended Read, ReviewReview: Weep, Woman, Weep by Maria DeBlassie (2021) September 22, 2021 Holly Heat Factor: No sex, some grumpy pining Character Chemistry: Santos is clearly interested; Mercy is a lot more invested in her relationship with La Llorona Plot: Mercy was touched by La Llorona as a teenager, and now she’s trying to break free Overall: I enjoyed this book a lot, but it’s not your standard romance fare Continue reading “Review: Weep, Woman, Weep by Maria DeBlassie (2021)” →
Recommended Read, ReviewReview: The Widow of Rose House by Diana Biller (2019) October 9, 2019July 15, 2020 Holly Heat Factor: Steamy Character Chemistry: Opposites attract in the best way Plot: Scandalous Widow wants to renovate haunted house, hires ghost hunter to de-hauntify Overall: This Gothic Romantic Comedy was wonderful. I was utterly captivated. Continue reading “Review: The Widow of Rose House by Diana Biller (2019)” →